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Archived from on 25 April 2012. Archived from on 30 May 2015. Raj continually plays with Simran, much to her bothering.

Every show in every theatre in Mumbai—save one—was completely full for the first week. We got the movie listed in our software with English subtitles. Idea scenes were shot in England, at locations includingand. The film was popular among both resident Indians and NRIs. For three years, he worked on the story that would become Dilwale Dulhania Le Jayenge before approaching his father to direct it. One day, Baldev caballeros a letter from his companion Ajit Satish Shahwho lives in Punjab. Thus begins a saga. Retrieved 22 November 2010. Dilwale Dulhania Le Jayenge 1995 Full Movie Free Download.

So enjoy downloading videos from Youtube using GenYoutube and showcase, watch and listen to the ocean of never ending digital video download stream. Desires and opinions Simran not taken into account. A miserable Simran and her younger sister Chutki take an instant dislike to Simran's fiancé Kuljeet because of his arrogance. The film was popular among both resident Indians and NRIs.

Ddlj Full Movie Download Mp4 - One day, Baldev receives a letter from his friend Ajit Satish Shah , who lives in Punjab.

Dilwale Dulhania Le Jayenge English: The Big-Hearted Will Take Away the Bride , also known by the DDLJ, is an Indian , directed by in his directorial debut , produced by his father , and written by with Aditya Chopra. Released on 20 October , the film stars and. The plot revolves around Raj and Simran, two young , who fall in love during a vacation through Europe with their friends. Raj tries to win over Simran's family so the couple can marry, but Simran's father has long since promised her hand to his friend's son. The film was shot in India, London and Switzerland, from September 1994 to August 1995. It won 10 , the most for a single film at that time, and won the. Its soundtrack album became one of the most popular of the 1990s. Many critics praised the film, which connected with different segments of society by simultaneously promoting strong family values and the following of one's own heart. Its success led other film makers to target the non-resident Indian audience, which was deemed more lucrative for them. It spawned many imitations of its story and style, and homages to specific scenes. Dilwale Dulhania Le Jayenge was one of only three Hindi films in the reference book , and was placed twelfth on the 's list of top Indian films of all time. It is the longest-running film in the history of. As of 2018, over 20 years after its first release, it is still being shown at the theatre in Mumbai. Raj Malhotra and Simran Singh are non-resident Indians living in. Simran was raised by her strict and conservative father, Baldev Singh , while Raj's father is very liberal. Simran always dreams of meeting her ideal man; her mother Lajjo warns her against this, saying dreams are good, but one should not blindly believe they come true. One day, Baldev receives a letter from his friend Ajit , who lives in ,. Ajit wants to keep a promise he and Baldev made to each other 20 years ago—to have Simran marry his son Kuljeet. Simran is disappointed as she does not want to marry someone whom she has never met. One evening, Raj enters Baldev's shop after closing time to buy beer. Baldev refuses, but Raj grabs a case of beer, throws money on the counter, and runs away. Baldev, infuriated, calls Raj a disgrace to India. Meanwhile, Raj's father agrees to his request to go on a train trip across Europe with his friends, and Simran's friends have invited her to go on the same trip. Simran asks her father to let her see the world before her marriage, and he reluctantly agrees. On the trip, Raj and Simran meet. Raj constantly flirts with Simran, much to her irritation. The two miss their train to and are separated from their friends, but start to travel together and become friends. Raj falls in love with Simran on the journey, and when they part ways in London, Simran realises she is in love with him as well. At home, Simran tells her mother about the boy she met on her trip; Baldev overhears the conversation and becomes enraged with his daughter. He says the family will move to India the next day. Meanwhile, Raj tells his father about Simran and that she will soon get married. When Raj says he believes Simran loves him too, his father encourages him to go after her. In India, Baldev is reunited with his relatives and his friend Ajit. A miserable Simran and her younger sister Chutki take an instant dislike to Simran's fiancé Kuljeet because of his arrogance. Simran pines for Raj, but her mother tells her to forget him because she knows Baldev will never accept their relationship. The next morning, Raj arrives outside of the house where Simran is staying and the two reunite. She begs him to elope with her, but Raj refuses and says he will only marry her with her father's consent. Raj befriends Kuljeet and is quickly accepted by both families. Later, his father arrives in India and also becomes friends with Simran's and Kuljeet's families. Eventually, Lajjo and Chutki discover that Raj is the boy Simran fell in love with in Europe. Lajjo also tells Raj and Simran to run away, but he still refuses. Baldev recognises Raj from the beer incident, but eventually accepts him. However, after he discovers a photograph of Raj and Simran together in Europe, he slaps and humiliates Raj and tells him to leave. As Raj and his father wait at the railway station, Kuljeet, who is angry to learn of Raj's love for Simran, arrives with his friends and attack them. Eventually Baldev and Ajit arrive and stop the fight, and Raj boards the departing train with his father. Simran then arrives with her mother and sister; she tries to join Raj on the train, but Baldev stops her. Simran begs him to let her go, saying she cannot live without Raj. Baldev, realising nobody loves his daughter more than Raj does, lets her go, and she runs and catches the train as it departs. During this time, Aditya wrote several of his own scripts, including one he assumed would be his first film, but eventually became his second, 2000. For three years, he worked on the story that would become Dilwale Dulhania Le Jayenge before approaching his father to direct it. Yash did not want to, and tried to persuade Aditya to do it himself. As they were discussing ideas for the script, Aditya conceived the notion that Raj would seek permission for marriage from Simran's stern father, rather than eloping with her. He then became excited about the possibility of directing the film himself. After his mother, the playback singer , agreed that the idea was sound, he decided to make this his directorial debut. Aditya wanted to make a wholesome film that people could watch repeatedly. He wanted to diverge from the typical plot line of the time, in which lovers run away when their parents object, and show that if their love was strong enough, the parents would eventually understand. In May 1994, Aditya read the first draft of the script to several members of the production team assigned to work with him, including a cinematographer, an art director and a dialogue writer. They were not impressed, but Aditya held fast to his ideas. He was given total editorial control by his father, the producer, and made the film according to his own tastes and sensibilities. There were personal clashes over writing credits on the final script. Pamela's friend believed she deserved a writing credit that she did not receive, and Siddiqui believed Aditya did not deserve partial credit for the dialogue. After Dilwale Dulhania Le Jayenge, neither of them ever worked with Yash Raj Films again. After approving the script, Yash was consulted about the songs, but mostly left the creative process to his son, and has firmly denied that he was a ghost director on the project. He did not shoot a single frame, and did not even view some portions of the film until it was nearly completed. Casting Aditya originally wanted the film to be about a relationship between an Indian and an American. He wanted for the role of Raj but was dissuaded by Yash, who did not want to use a foreign star. They decided their characters would be non-resident Indians NRIs. Aditya approached Shah Rukh Khan to play the role of Raj. Shah Rukh was initially not interested because of the romantic nature of the role, having had success playing villainous roles. Aditya then asked to play the lead role because he was having problems persuading Shah Rukh to do it. Saif declined for unknown reasons, as did , causing Aditya to continue pursuing Shah Rukh. Since then, Shah Rukh has expressed his gratitude to Aditya for helping to make him a star with this film. Shah Rukh said that fellow actor also encouraged him to do the role, saying that he thought the film would be very successful. Shah Rukh has also noted the similarities in the film's script to his own relationship with before their marriage. Kajol was the first choice to play Simran, to which she quickly agreed; she was a good friend of Aditya. She and Shah Rukh had previously worked together in the successful films 1993 and 1995. Kajol said her character was very difficult for her to relate to, whereas Shah Rukh said Raj's personality was very similar to his own. Aditya chose the name Raj for the character, and the mandolin that he played, based on his admiration for the actor. After a successful , Parmeet Sethi was chosen over for the role of Kuljeet Singh. In addition to his assistant director , Aditya asked for two additional assistants, his brother and his cousin. Johar also played a small role in the film as Raj's friend. Sharmishta Roy was the film's art director and was its costume designer. While Malhotra had many new ideas, Aditya wanted to keep the clothing style simple; he did not want it to distract from the story. Filming The Church of Saint Grat in Montbovon, one of the filming locations in Switzerland Dilwale Dulhania Le Jayenge was filmed in several 5-, 10- and 20-day schedules between September 1994 and August 1995. The European journey scenes and songs were mainly filmed in , and , Switzerland. Other scenes were shot in England, at locations including , and. After the film's eventual success, Saroj apologised to Aditya for underestimating him, but she never worked with him again. The Raj character sings parts of this song during the story, and it recurs at the end. The film has since become universally known by the acronym DDLJ. Towards the end of the , Shah Rukh had to split his time between this film and 1995 , spending half of his day on each film. In early August 1995, when filming on Dilwale Dulhania Le Jayenge was not yet finished, a release date in October around the time of the festival was decided upon. Composers Jatin and Lalit Pandit were given only 10 days to complete the background score, and the first copies were printed on 30 September. After filming was complete, Aditya decided to make a Hollywood-style documentary of the film-making process, which had not been done before in India. Karan Johar and Uday were put in charge because they had already been recording some of the process. On 18 October, two days before the film's release, the 30-minute special Dilwale Dulhania Le Jayenge, The Making was broadcast on television by. Dilwale Dulhania Le Jayenge repeats the usual conservative agenda of family, courtship and marriage, but it proposes that Indian family values are portable assets that can be upheld regardless of country of residence. This is a reversal of the roles in typical Indian films, which usually portray Indians as being morally superior to Westerners. Here, NRIs are validated as potential model Indians citizens. The story aims to capture the struggle between traditional family values and the modern value of individualism. Although Raj and Simran want to be together regardless of her father's plans for her, Raj tries to win over his girlfriend's father rather than simply eloping with her. In this and other Indian stories, family values are ultimately considered more important than the romantic plot. Moral values and rules of conduct take precedence over individual desires. Trust me, nothing happened last night. In The Routledge Encyclopedia of Films, Ranjani Mazumdar says the film has a running theme of unfulfilled desires, which is exemplified by Raj's father telling him to enjoy life because his own was a struggle, and Simran's mother telling her to run away with Raj because she was unable to live her own dreams. Scott Jordan Harris, writing for 's website, says the film's popularity lies in its ability to effectively convey two opposing themes appealing to different portions of society. Rachel Dwyer said the film was important for presenting marriage as an understanding between parents and children. While fighting the old tradition of the arranged marriage, it still encouraged the importance of seeking parental consent, even for a love marriage. According to Patricia Uberoi, Dilwale Dulhania Le Jayenge reiterates the theme of 1994 in a self-conscious manner while also linking it explicitly to the fact that the protagonists tend to remind themselves and each other of what it means to be an Indian. Dilwale Dulhania Le Jayenge by Released 25 July 1995 Length 38: 46 , The Dilwale Dulhania Le Jayenge soundtrack features seven songs composed by , a duo consisting of the brothers Jatin and Lalit Pandit. Anand Bakshi wrote the lyrics and , , , and performed the vocals. Jatin Lalit was considered for the job when singer Asha Bhosle contacted Yash Chopra after meeting the duo. It was their first collaboration with Yash Raj Films. Pamela Chopra helped them select tunes and instruments to give some of the songs a Punjabi flavour. The soundtrack became the best-selling of the year, with 9—12 million units sold according to , although it is estimated the same number or more copies were pirated. More than 1 million of those sales occurred prior to the film's release. In 2005, the album was judged the top Hindi soundtrack of all time by voters on the website. Anand Bakshi won his third Filmfare Best Lyricist award after 14 years, having two nominations for this film. The following is the track listing. Title Singers Length 1. Every show in every theatre in Mumbai—save one—was completely full for the first week. The film was popular among both resident Indians and NRIs. At San Francisco's 720-seat Naz theatre, 1,000 people arrived for the first showing, and the theatre staff were forced to run another show late that night. In the UK, the film ran for over a year, and as of 2017, the cinema hall in Mumbai has been showing it for more than 22 years. In later years, that theatre ran one matinee show per day at reduced ticket prices, which averaged about 50% occupancy. Critical reception Dilwale Dulhania Le Jayenge received many favourable reviews. It's also, I think, a classic. Perhaps it's the way in which the film artfully reaffirms the patriarchal status quo and works for all constituencies—the NRI and the local viewer. Or perhaps it's the magic of Shah Rukh Khan and Kajol who created a template for modern love, which was hip and cool but resolutely Indian. Sen called the film well balanced and said only the fight scene and some mother-daughter dialogue can wear after multiple viewings. Beauty of the Beast. Jasmine friends with Aladdin. It was one of three Hindi films in the film reference book , the others being 1957 and 1975. It was placed twelfth on the British Film Institute's list of top Indian films of all time. The film won a and 10 , setting the record at the time for the most Filmfare trophies. It has been showing at the Maratha Mandir theatre which was famous for having shown 1960 for three years since its original release in 1995. There are often people in the audience who have seen the film 50 or more times, but still clap, cheer, mouth the dialogues and sing along with the songs, raising comparisons with 1975 , the longest running film in America. When a theatre strike in early 2011 threatened the film's uninterrupted run, the producer Yash Chopra contacted theatre owners to try and ensure the film would continue. He hoped the film would continue to run for at least 1,000 weeks, which it achieved in December 2014. To commemorate the event, cast members including Shah Rukh Khan, Kajol, Anupam Kher, Farida Jalal, Mandira Bedi and Pooja Ruparel appeared on the television show. Shah Rukh Khan, Kajol and director Aditya Chopra also attended a live chat with fans and a black tie event at the theatre on 12 December. The same day, they launched a coffee table book written by Aditya Chopra about the making of the film. Also in December, Yash Raj Films announced the availability of a collection of commemorative, licensed merchandise from various suppliers to mark the event. The Maratha Mandir's management ended the film's run after 1,009 weeks on 19 February 2015 because of low attendance the last show was viewed by 210 people. However, after an outpouring of support from fans, and talks with the production company, they decided to reinstate the film. Influence Kajol and Shah Rukh Khan in the climactic train scene Dilwale Dulhania Le Jayenge spawned many imitators of its story and style, especially throughout the 1990s. Yash Raj Films was previously known for using locations outside India for in its films. Dilwale Dulhania Le Jayenge started the trend for films designed to appeal to the Indian diaspora, which have foreign locations as integral parts of the story. The characters are themselves diaspora and tend to be able to move with ease between India and the West. Some later films that followed this trend include 1997 , 2001 , 2003 , 2005 , 2005 and 2006. Dilwale Dulhania Le Jayenge became the first Hindi film blockbuster to feature NRIs as main characters. It helped to establish the diaspora market as a vital source of revenue for the industry; that market was seen as a safer financial investment than the market. Several later films have paid homage to Dilwale Dulhania Le Jayenge. The Karan Johar-produced 2014 was directly inspired by it. The films 2007 , 2011 , 2011 , 2013 and 2013 include scenes similar to the climactic train sequence, wherein a woman is running to catch a moving train and is helped aboard by a man with his outstretched arm. The British film 2008 contained a similar train scene, and its final dance sequence was partially shot at the same railway station as the Dilwale Dulhania Le Jayenge finale. Impact Audiences appreciated the screen chemistry between Shah Rukh Khan and Kajol, who later worked together in several successful films including 1998 , 2001 , 2010 , and 2015 , and are often referred to as Indian cinema's most loved on-screen couple. It also helped the young careers of Pooja Ruparel, who received advertising offers, and of Sharmistha Roy. The British Film Institute BFI commissioned a book about Dilwale Dulhania Le Jayenge. The author was Anupama Chopra and the book was released in 2002. It was reissued in paperback by Harper-Collins as Dilwale Dulhania Le Jayenge: The Making of a Blockbuster in 2004. After an unexpectedly long delay, the film was released on DVD by Yash Raj Films in 2002. The release included The Making and 300 Weeks Celebration documentaries, Success Story highlights from the film's premiere , clips from the ceremony and other interviews. In 2006, members of the film crew were honoured at a dinner event to celebrate the film's 500th week since release. It was hosted by the Consulate General of Switzerland in Mumbai and by Switzerland Tourism. In 2014, Yash Raj Films released Aditya Chopra Relives... Dilwale Dulhania Le Jayenge As Told to Nasreen Munni Kabir , an attractive but expensive book about the making of the film. Retrieved 18 March 2015. Retrieved 19 October 2017. Retrieved 10 March 2015. Retrieved 5 July 2015. Retrieved 25 June 2015. Retrieved 8 December 2011. Retrieved 11 November 2011. Retrieved 5 March 2015. Retrieved 5 March 2015. Retrieved 6 April 2011. The Times of India. Retrieved 22 March 2015. Retrieved 20 April 2015. The Times of India. Retrieved 11 February 2017. Retrieved 14 January 2015. Archived from on 3 June 2015. Retrieved 30 June 2015. Retrieved 26 January 2012. Event occurs at 10:30—11:30. Retrieved 30 June 2015. Retrieved 31 May 2015. Retrieved 19 November 2012. 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In Roy, Anjali Gera; Huat, Chua Beng. In Kavoori, Anandam P.